April 11, 2019
2018 Hillary GRAVENDYK PRIZE
Announcing the 2018 Hillary Gravendyk Prize, Sponsored by the Inlandia Institute!
One National and one Regional Winner will each be awarded $1000 and book publication, and additional books may be chosen for publication by the editors.
The Hillary Gravendyk Prize is an open poetry book competition for all writers regardless of the number of previously published poetry collections. The manuscript page limit is 48 - 100 pages, and the press invites all styles and forms of poetry. Only electronic submissions accepted via Inlandia’s Submittable portal. Entries must be received online by April 30, 2017 at midnight Pacific Standard Time. Reading fee is $20. The winners will be announced late Summer/Fall 2018, for publication in 2019.
HILLARY GRAVENDYK (1979-2014) was a beloved poet living and teaching in Southern California’s “Inland Empire” region. She wrote the acclaimed poetry book, HARM from Omnidawn Publishing (2012) and the poetry collection The Naturalist (Anchiote Press, 2008). A native of Washington State, she was an admired Assistant Professor of English at Pomona College in Claremont, CA. Her poetry has appeared widely in journals such as American Letters & Commentary, The Bellingham Review, The Colorado Review, The Eleventh Muse, Fourteen Hills, MARY, 1913: A Journal of Forms, Octopus Magazine, Tarpaulin Sky and Sugar House Review. She was awarded a 2015 Pushcart Prize for her poem "Your Ghost," which appeared in the Pushcart Prize Anthology. She leaves behind many devoted colleagues, friends, family and beautiful poems. Hillary Gravendyk passed away on May 10, 2014 after a long illness. This contest has been established in her memory.
Contest judge: Jessica Fisher
Jessica Fisher is the author of Frail-Craft, which won the 2006 Yale Younger Poets Prize, and Inmost, which was awarded the 2011 Nightboat Poetry Prize. Her poems appear in such journals as The American Poetry Review, The Believer, The Bennington Review, The Colorado Review, McSweeney’s, The New Yorker, The Threepenny Review, Tin House, and TriQuarterly, and her translations have been published in The New York Review of Books and The Paris Review. She is co-editor, with Robert Hass, of The Addison Street Anthology. Her honors include the 2012 Rome Prize, a Holloway Postdoctoral Fellowship in Poetry, and a research grant from the Hellman Foundation. She holds a Ph.D. from University of California at Berkeley and is currently an assistant professor at Williams College.
One contest, two prizes, each award is granted publication and $1000: All entrants will be considered for the National Prize, and entrants who currently reside or work in Inland Southern California, the “Inland Empire,” will also be considered for the Regional Prize (Riverside and San Bernardino Counties, and any non-coastal Southern California area, from Death Valley in the northernmost region to Anza-Borrego Desert State Park in the southernmost). If you believe you reside or work in an area that falls within the I.E., please select the “Yes, I reside in the I.E.” checkbox on the Submittable form, or if you’re not sure, please contact the Inlandia Institute at Inlandia@InlandiaInstitute.org.) In addition, the editors may select one or more additional books for publication.
Eligibility: Any resident of the United States of America or its territories may enter the contest, with the exception of colleagues, students, and close friends or family of the judge(s). Additionally, anyone who currently serves or has served in the past two years on any Inlandia Institute committee, its Advisory Council, its Board of Directors, or is a close family member of one of the above, is not eligible.
Manuscript Requirements: Please submit 48-100 pages of poetry through our Submittable portal as a .doc, .docx, or .pdf. ***Submissions will be read blind, so do not include any contact information on the manuscript itself.*** Do not include a cover page, and do not attach an acknowledgements page. No revisions to the manuscript are allowed while the contest is running; however, if your manuscript is selected for publication, revisions may be submitted at that time. Please use a standard 11 or 12 point font. If there is a significant amount of non-standard formatting, please submit as a PDF to ensure formatting remains intact. Individual poems may have been published in journals, anthologies, chapbooks, etc., but the collection as a whole must be unpublished.
Submission fee: $20 per manuscript. Multiple submissions accepted but a separate entry fee is required for each manuscript submitted. Simultaneous submissions also accepted. If accepted elsewhere, please formally withdraw your manuscript from consideration via the Submittable portal.
Each winner will receive $1000, 20 copies of their book, and a standard book contract.
The manuscripts will be screened by MFA students from University of California Riverside and California State University San Bernardino.
UCR 6TH ANNUAL CREATIVE WRITING READING SERIES: REAL LIFE AND POWERFUL FICITONS
6th Annual Creative Writing Reading Series
Susan Straight, coordinator
Distinguished Professor of Creative Writing
Real Life and Powerful Fictions: Bestselling authors Vanessa Hua and Rahna Reiko Rizzuto talk about their new books, River of Stars and Shadow Child, and how women’s stories shaped these imaginative literary thrillers.
Q&A to follow, moderated by Susan Straight
April 11, 2019
Thursday, 3:00-5:00 P.M.
CHASS Interdisciplinary Building, South
Round Room, INTS 1111
Vanessa Hua is a UCR alumna and graduate from the Creative Writing and Writing for the Performing Arts MFA Program. She is a columnist for the San Francisco Chronicle and the author of a novel, A River of Stars, and a short story collection, Deceit and Other Possibilities. For two decades, she has been writing, in journalism and fiction, about Asia and the diaspora. She has received a Rona Jaffe Foundation Writers’ Award, the Asian/Pacific American Award for Literature, the San Francisco Foundation’s James D. Phelan Award, and a Steinbeck Fellowship in Creative Writing, as well as honors from the Society of Professional Journalists and the Asian American Journalists Association. Her work has appeared in The New York Times, The Atlantic, The Washington Post, and elsewhere. A Bay Area native, she works and teaches at the San Francisco Writers’ Grotto.
Rahna Reiko Rizzuto’s three books include Shadow Child, a mystery/family/saga/historical novel set in Hawaii, New York and Japan; her memoir, Hiroshima in the Morning, which moves from the original “Ground Zero” to its echo, the 9/11 terrorist attacks; and her first novel, Why She Left Us, about the Japanese American incarceration camps. Awards and recognitions include an American Book Award, Grub Street National Book Award, National Book Critics Circle Finalist, Asian American Literary Award Finalist, Dayton Literary Peace Prize Nominee, among others. She is also a recipient of the U.S./Japan Creative Artist Fellowship, funded by the National Endowment for the Arts. She was Associate Editor of The NuyorAsian Anthology: Asian American Writings About New York City. She has been interviewed widely on motherhood including on The Today Show, 20/20, and The View. Reiko’s articles on motherhood, Hiroshima, the Japanese incarceration camps and radiation poisoning have been published globally, including in the L.A. Times, Guardian UK, CNN Opinion, and Salon, and through the Progressive Media Project and The Huffington Post, and have been anthologized in Mothers Who Think, Because I Said So, and Topography of War, among others. She was a judge for the PEN/John Kenneth Galbraith Award for Nonfiction in 2015. Reiko is on the faculty of the Goddard College MFA in Creative Writing, is a Hedgebrook alumna, and has taught master classes and at Vortext for Hedgebrook. She is “hapa” (mixed Japanese/Caucasian) and was raised in Hawaii.
Free and open to the campus.
INFORMATION: (951) 827-3245 email@example.com creativewriting.ucr.edu
***This event is a local event by our partners